Kennedy Center Honorees customarily visit the White House for a reception prior to their evening Honors celebrations. But not so eight years ago in 2017. That was the year when Kennedy Center Honorees dancer Carmen de Lavallade, singers Gloria Estefan and Lionel Richie, rapper LL Cool J, and TV writer/producer Norman Lear refused to visit the White House occupied by Donald Trump after Trump had made supportive comments about the tiki-torch-bearing, modern-day Nazis marching in the Unite the Right rally in Charlottesville that August.
Trump, who has never been known to accept even the slightest of slights, was so miffed at this he never went to any of the Honors Ceremonies during the entirety of his first term. In fact, to this day, Trump has never set foot in the Kennedy Center.
The Kennedy Center was the brainchild of President Dwight D. Eisenhower, who established a commission for a new public auditorium in the nation’s capital in 1955. Three years later, he signed the National Cultural Center Act. In signing this act, Eisenhower confirmed the inherent value of the arts to all Americans, and created what would ultimately become the John F. Kennedy Center for the Performing Arts. When promoting the construction of the Kennedy Center, Eisenhower said, “In Washington there should be a Center of culture…an artistic mecca.”
The National Cultural Center Act authorized the Center’s construction, mandated an artistic vision to produce and present a wide variety of both classical and contemporary performances, specified an educational mission for the Center, and declared the Center was to be an independent facility, self-sustaining, and privately funded.
In November, 1962, President Kennedy kicked off a $30 million fundraising campaign by holding special White House luncheons and receptions, appointing his wife Jacqueline and Mrs. Eisenhower as honorary co-chairwomen, and placing the prestige of his office behind the venture.
Two months after Kennedy’s assassination, Congress passed and President Johnson signed into law legislation renaming the National Cultural Center the John F. Kennedy Center for the Performing Arts. The Law authorized $23 million to help in construction, which began in December, 1964, when President Lyndon Johnson broke ground, using the same gold shovel used for breaking ground at the Lincoln Memorial and the Jefferson Monument.
The Center opened on 8 September 1971 with a gala performance featuring the world premiere of Mass, a Theatre Requiem honoring President Kennedy, commissioned from legendary composer Leonard Bernstein, conducted by the composer.
In the 54 years since it opened so auspiciously, the Kennedy Center has hosted the best the world has to offer in culture and the arts. And it does so to this day. If you were there last night, you could have seen the American Ballet Theatre perform Fyodor Dostoyevsky’s Crime and Punishment, with music by Isobel Waller-Bridge. Or, in another of the Center’s theaters, you could have laughed to the hilarious Shear Madness.
Wednesday of this week was a dark day for the Kennedy Center. That was the day Donald Trump, just to prove there’s a new boss in town, fired all of the Kennedy Center’s Trustees of Democratic persuasion, as well as the Center’s president, the highly respected Deborah Rutter, and the Chair of the Board, David Rubenstein, founder of the Carlisle Group.
Trump then filled the vacant Trustee slots by appointing ardent loyalists, who promptly and unanimously elected him Chair. He now gets to sit in the Chair occupied by the estimable Mr. Rubenstein since 2010. Of the firings of Rubenstein and the other Trustees, Trump said they, “do not share our Vision for a Golden Age in Arts and Culture”
Trump then appointed Richard Grennell as the center’s interim president. Grennell, a true-believing MAGA Trump loyalist, had been ambassador to Germany during the first Trump administration and Trump’s acting national intelligence director from February to May 2020. In that respect, he replaced Joseph Maguire, whom Trump fired after Maguire advised Congress about Russian interference prior to the 2020 presidential election.
You get on Donald Trump’s bad side at your own peril.
Richard Grennell is utterly devoid of any experience in the arts. He’ll probably have a hard time finding backstage. And he won’t have much help from staff, because Trump also fired a number of people in management.
After appointing Grennell, Trump wrote on his Truth Social network, “NO MORE DRAG SHOWS, OR OTHER ANTI-AMERICAN PROPAGANDA.”¹ He also wrote he was “honored” to be elected Chair of the Kennedy Center. As if there was ever any doubt.
One of the chapters in the Authoritarian Playbook calls for extensive efforts to control and shape society and culture.
For example, the Third Reich deemed modern art and artists to be sick and immoral. The regime called this art “degenerate.” The Nazis confiscated thousands of modern artworks from German museums. In 1937, they displayed many in what Goebbels called a “Degenerate Art” exhibition in Munich. After that, they destroyed several thousand confiscated works of art. But they saved the best and most valuable works and sold all of them to enrich the regime and prepare for war.
Reaction to Trump’s takeover in the arts world has been quick. Issa Rae and Low Cut Connie immediately cancelled concerts scheduled for the Center. Renowned Soprano Renee Fleming, singer songwriter Ben Folds, and television producer/writer Shonda Rhimes have all resigned their artistic advisor positions.
A word about David Rubenstein. His financial generosity to the Kennedy Center is unsurpassed. At $111 million, he is the largest individual contributor to the Center in its 54-year history. Rubenstein had planned to step down from his leadership role at the end of this year, but agreed to stay on through 2026, because a national search for a new Chair was taking longer than the Board had anticipated. The Board no longer has that problem.
I wonder what Trump will do next at the Center built by Dwight Eisenhower, John Kennedy, and Lyndon Johnson? Maybe change its name to the Trump Center for the Performing Arts?
Why not? He puts his name on everything else he touches.
One thing I’m pretty sure he won’t do — write a check.
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¹ As NPR has noted, the Kennedy Center hosted several drag brunches at its rooftop restaurant last year as well as a free Drag Salute to Divas event at its Millennium stage and a production of drag performer Kris Andersson’s solo show Dixie’s Tupperware Party — all of which were aimed at adults and none of which were anti-American or propaganda.